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20-March 8, 1998.Īlso starring in Gynt are Emery Battis, Roy Cockrum, Jimonn Cole, Franchelle Stewart Dorn, Edward Gero, Eric Hoffmann, Floyd King, Roberta Maxwell, Carol Monda, David Sabin, Kate Skinner, Ted van Griethuysen, Craig Wallace and Rebecca Waxman.ĭesigning the show are such major-leaguers as Ming Cho Lee (sets), Paul Tazewell (costumes) and Howell Binkley (lighting). Sweet Bird Of Youth plays May 26-July 12, 1998.Īcton will be a busy actor this season he'll also play Peer Gynt in a Michael Kahn-directed staging of Henrik Ibsen's fantastical drama of a dreamer who travels the world in search of meaning. Kahn's directing credits include the Williams plays A Streetcar Named Desire, The Glass Menagerie and Camino Real. Ashley's other Broadway credits include Take Her She's Mine, Caesar And Cleopatra, Barefoot In The Park and the 1995 Broadway revival of Suddenly Last Summer. Artistic director Michael Kahn, who directed Ashley in the 1974 Broadway revival of Cat On A Hot Tin Roof, will stage the 1959 work about a fading actress being used by an ambitious conman on a downward spiral. *Īlso on tap for the Shakespeare Theatre, another season highlight would appear to be a revival of Tennessee Williams' Sweet Bird Of Youth, starring Elizabeth Ashley.
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Coleman, Patrice Johnson, Kate Skinner and Craig Wallace.ĭesigning the show are Robert Innes Hopkins (set, costumes) and Frances Aronson (lighting). Bougere, Darrell Carey, George Causil, Jimonn Cole, Chad L. Also in the cast are William Badgett, Teagle F. He once studied acting with Francelle Stewart Dorn - who plays Emilia. He's been an associate artist of the Royal Shakespeare Company since 1967.Īppearing with Stewart in Othello is Ron Canada as Iago. Stewart may best be known for his "Star Trek" duties, but he also won a Drama Desk for his Broadway solo in A Christmas Carol and played Prospero in a 1995, NY Shakespeare Festival Tempest that also came to Broadway. To replace the black outsider with a white man in a black society will, I hope, encourage a much broader view of the fundamentals of racism." One of my hopes for this production is that it will continue to say what a conventional production of Othello would say about racism and prejudice. "When the time came that I was old enough and experienced enough to do it, it was the same time that it no longer became acceptable for a white actor to put on blackface and pretend to be African.
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"I've been imagining myself playing Othello and, in a sense, preparing for it, since I was about 14," he said in a statement.
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It was Stewart who came up with the concept. Jude Kelly, artistic director of the UK's West Yorkshire Playhouse, directs this defiantly non-traditional approach, which opens Nov. That he's playing the title character - a Moor - is, especially since the remaining cast will be played by African-Americans. That classically trained actor Patrick Stewart will star in Othello at Shakespeare Theatre in Washington DC is not tremendously surprising.